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LIBERATION RADIO: DAR ES SALAAM – 12 AUGUST 2022 from 2pm

[The opening ceremony at the 6th Pan African Congress held in Dar es Salaam, 1974]
2pm – Liberation Dance: When Tarzan Met the African Freedom Fighter
An ongoing exploration of struggle music – literally, music produced by and through the movements and people involved in Africa’s liberation struggle, rather than about it. “Struggle Music” is also a misnomer, it designates collective expression which, although musical, refuses to be “music” – or the process of individuation that produces it. It helps us demarcate from what is customarily called “protest music” – which, at times, may be used to silence protest, or, as our comrade Harmony Holiday sweetly put it, “harmonise with the state”. Liberation Dance is unscripted and serves as both intro and outro to the day’s programming.
3pm – Radio USARF: Tanzania Publishing House and a tale of two Walter’s
In a rare interview with Walter Bgoya we discuss the life and afterlife of Walter Rodney’s How Europe Underdeveloped Africa (1972), a book that combines the fire and analytical power of Fanon’s Wretched, with the historical depth of Cheikh Anta Diop’s best writing.
Rodney’s masterwork was first published in Tanzania by Walter Bgoya, then director of Tanzanian Publishing House (TPH), and founder of Mkuki na Nyota.
5pm – Voice of the Distant Stars
This program reboots and expands on the work of Radio Cairo and Radio Free Africa, the sharpest end of Egypt’s anti-colonial and internationalist program, during the late 1950s and early 1960s, and the seldom-acknowledged model for the many broadcasting projects subsequently initiated by African liberation movements.
The second episode of “Voice of the Distant Stars” revolves around revolutionary cultural and political actions taking place in Cairo in 1961. It connects to the Voice of Free Africa station, visits the 2nd Afro-Asian Film Festival and listens to Pauline Lumumba telling the story of her husband’s assassination and her family’s escape to Cairo.
6pm – RBI-in-Exile: Ayi Kwei Armah in Dar and the Invention of a Pan African Language
This show reviews Ayi Kwei Armah’s time in Dar es Salaam in the 1970s. What impact did his engagement with radical intellectual circles including Walter Rodney, Jennifer Lawson and Nsa Kaisi have on his career as a writer and independent publisher? Novels like Osiris Rising and The Resolutionaries, give insight into his critique of the limitations of Nyerere’s Swahili project and his proposition of a newly designed Pan African lingua franca based on hieroglyphs.
7pm – We dreamt of Utopia
In conversation with Anoek De Smet. Architecte-Urbaniste, Dar es Salam resident and the architect who eventually brought to an end the utopian project of providing a house to all the liberation voices from the past. The discussion will evolve around the question of the audience or listenership, is there any chance for an emancipated listener to exist? Be it a live broadcast or a digitalised sound archive, do “we speak and nobody listens”?
LIBERATION RADIO: DAR ES SALAAM – 11 AUGUST 2022 from 2pm

FRELIMO President Dr. Mondlane addressing a public meeting in Kawe near Dar es Salaam. Day two of our Liberation Radio: Dar es Salaam broadcast, live from TPH Bookshop: 2pm – Liberation Dance: When Tarzan Met the African Freedom Fighter An ongoing exploration of struggle music – literally, music produced by and through the movements and people involved in Africa’s liberation struggle, rather than about it. “Struggle Music” is also a misnomer, it designates collective expression which, although musical, refuses …
LIBERATION RADIO: DAR ES SALAAM – 10 AUGUST 2022 from 2pm
t The scene outside the Afro-Asian Peoples’ Solidarity Conference opening ceremony at Cairo University Today we open our Liberation Radio: Dar es Salaam sessions: 2pm – Liberation Dance: When Tarzan Met the African Freedom Fighter An ongoing exploration of struggle music – literally, music produced by and through the movements and people involved in Africa’s liberation struggle, rather than about it. “Struggle Music” is also a misnomer, it designates collective expression which, although musical, refuses to be “music” – or …
SOUNDGARDEN – a live reading for Bessie Head’s 85th

On 13 July 2022, Ilze Wolff curated a live reading, in celebration of Bessie Head’s 85th. With readings by Jess Myers, Wame Molefhe, Michelle Renyé, Moses Serubiri, Mmakhotso Lamola, Nombuso Mathibela and Hitomi Yokoyama. Listen back to the session below: With thanks to Bessie Head Trust, Khama III Memorial Museum
MASELLO MOTANA’S VOCAL MUSEUM – LIVE AT THE CHIMURENGA FACTORY

We are proud to present a once-off performance of Masello Motana’s Vocal Museum at the Chimurenga Factory on 8 July 2022. The Vocal Museum is a sonic documentary, a journey into collective memory, an activation of the Azanian songbook by singer-satirist, actress and performance artist Masello Motana, backed by a live band. This foray into the South African Black Ark follows Masello’s earlier musical experiments through projects such as the kwaito revivalist outfit Thath’i Cover Okestra, or the out-soundings of …
WIND DANCE ENSEMBLE – live in studio – 27 May 2022 from 6pm

We present a live in-studio performance by Wind Dance Ensemble, an ongoing experimental sound + multimedia project between veteran Cape Town artist & musician, Hilton Schilder & artist & DJ/selector Futurist. Tune in Friday, 27 May 2022 from 6pm.
LIBERATION RADIO: PEOPLE WHO THINK TOGETHER, DANCE TOGETHER #7

We are pleased to present People Who Think Together, Dance Together #7, a series of conversations with Christian Nyampeta, recorded for radio (and video) rooted not in discipline, professionalism and scholarship but in friendship, love and affiliation. The series will be broadcast live from 6pm and features:– 24 May 2022: Olu Oguibe– 25 May 2022: Sasha Bonét and Hannah Black– 26 May 2022: Natacha Nsabimana and Emmanuel Olunkwa The conversations revolve around a new understanding of the diasporic as a …
LIBERATION RADIO: PUNGWE 1

Selected and mixed by Robert Machiri This piece presents various operators of the liberation struggle, across countries and movements, through a mix that brings together speech, music and struggle song. Maybe an attempt at presenting a cacophony of political vocalisations. Reproducing the sound of the liberation struggle in southern Africa as a totality of voices and music produced by militants across the region and beyond. As an attempt to expand on the “struggle song” beyond the chronological markers of political …

