In the final broadcast, we discuss methods of recovering, curating, re-presenting and conserving black collective and fugitive practice. With Uhuru Phalafala, Sinazo Mtshemla, Lerato Kuzwayo, Kgomotso Ramushu.
Dr Uhuru Phalafala is a scholar, an artist and lecturer at the University of Stellenbosch. She is author of the upcoming monograph on Keorapetse Kgositsile titled Black Radical Traditions from the South: Keorapetse Kgositsile and the Black Arts Movement. She heads a project that repatriates and republishes apartheid-era cultural production.
Sinazo Mtshemla is a doctoral candidate in the History Department at the University of Fort Harre. Her work explores ways of the examining the archive with sound as a mode of writing history.
Lerato Kuzwayo is the co-founder of the Capital Arts Revolution, an organisation whose stated aim is “to make arts available to people from all walks of life”.
Kgomotso Ramushu is a writer, researcher, media strategist, project co-ordinator and the Artistic Director at Swart Gevaar Productions
Liberation Radio is part of Chimurenga’s ongoing query on knowledge production via African sound worlds. Through this program we explore the possibilities of radio as a research platform and the sonic archives of cultural struggles, and the role of city-studios such as Cairo, Accra, Conakry, Algiers, Dar es Salaam, Lusaka and more, as revolutionary capitals which hosted and disseminated liberatory work through their national infrastructure. This edition, live from our Cape Town studio on the 15th -18th of March from …
“Home is where the music is” is drawn from Keorapetse Kgositsile’s poem “For Hughie Masekela”, dedicated to the South African trumpeter, composer and bandleader. The poem ends with the lines, “This then is the rhythm / and the blues of it / Home is where the music is”. The poem was published in the 1974 collection, The Present Is A Dangerous Place To Live, however it was presented to Masekela earlier. Bra Hugh then recorded a double album titled Home …