Brent Hayes Edwards
Brent Hayes Edwards – Ornette Coleman on Prince Street
“In jazz history, the 1970s have habitually been overlooked or dismissed as a period when the music went into severe decline. But in fact there was a remarkable ferment of activity in the decade, especially in New York — much of it underground, in small clubs, musician-run “lofts,” and independent theaters — and jazz played a central role in the arts scene that developed in NoHo, SoHo, and the East Village.”
Writer and researcher, Brent Hayes Edwards presents “The Two Ages of Artist House: Ornette Coleman on Prince Street.”
Edwards teaches in the Department of English and Comparative Literature and the Center for Jazz Studies at Columbia University. His books include The Practice of Diaspora (2003) and the forthcoming Epistrophies: Jazz and the Literary Imagination. His translation of Michel Leiris’s Phantom Africa will be published by Seagull Books in 2016. He is a 2015 Guggenheim Fellow.
Thursday 12 November runnings
Day two of the PASS Pop-up in NYC opens with Chimurenga Library resident, poet and choreographer Harmony Holiday at 3pm. She presents words and sounds from her Astro/Afrosonics Archive, a collection of Jazz Poetics and audio culture. In her own words: “Since the 1950s, jazz music and the literary imagination have been inextricably linked, producing transcendent recordings and written work and many hybrids of the two – a new sonics, an AntiqueFuturism – From Langston Hughes and Kenneth Rexroth and …
PASS in NY: Brent Hayes Edwards
Writer and researcher, Brent Hayes Edwards presents “The Two Ages of Artist House: Ornette Coleman on Prince Street”. “In jazz history, the 1970s have habitually been overlooked or dismissed as a period when the music went into severe decline. But in fact there was a remarkable ferment of activity in the decade, especially in New York — much of it underground, in small clubs, musician-run “lofts,” and independent theaters — and jazz played a central role in the arts scene …